It has been quite some time since the public saw or heard from Daniel Day-Lewis. Following his statement in 2017 declaring he would cease to pursue acting, just before the debut of Phantom Thread, Day-Lewis quietly faded from view. Yet, during his hiatus, his reputation expanded further.
The Mythos Surrounding His Method
Primarily, this reputation revolves around his preferred approach to roles. As someone known for disappears into his characters – for instance, during Lincoln, reportedly asked the director call him “Mr President” for the entire production – the world has become increasingly obsessed with how he works. Is it true he actually sent texts to Sally Field as Abraham Lincoln? Did he only eat animals he’d killed for The Last of the Mohicans? And did he insist on receiving food via spoon while filming My Left Foot?
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Now, Daniel Day-Lewis has returned to public attention, with some hesitation, promoting his latest movie Anemone. He is using this to vocalise his anger regarding how method acting is perceived. “I’m a little cross nowadays to hear various individuals gobbling off and saying things like ‘gone full method’, which I think suggests that someone is acting insane in an extreme fashion,” he stated to the New York Times. “People tends to focus on the less important details of the work, and those details typically include some sort of self-punishment or an experience that imposes upon oneself extreme unease or psychological strain. But of course, in the career for a performer, it must principally be about the inner transformation.”
An Industry of Imitators
Frankly, this sounds like Day-Lewis has emerged from seclusion only to discover shocked by the acting community that has been created mirroring his methods. When you are widely considered one of the greatest performers to ever work, and your process involves striking a prop until you break your nose (in Gangs of New York) or spending two days in isolation without food or water (for In the Name of the Father), it’s natural that other actors will want to fill that vacuum by trying to mimic their idol.
In other words, we now live in a landscape full of imperfect imitators of Day-Lewis who strive only to show the world the extensive degree of dedication they put into their roles. On the milder side of the pool there are performers such as Lady Gaga, who was determined to earn an Academy Award for House of Gucci that she dedicated the entire promotion attempting to persuade people that she became an Italian native for a year and a half as preparation.
Additionally, there is Jared Leto, who chose to deeply embed himself into the role of the Joker (in Suicide Squad) by sending “horrifying” gifts to fellow cast members. These items, according to various accounts, range from dead pigs and rats to intimate objects and used condoms, though Leto denied those worst excesses. Then, of course, we have Jim Carrey, who immersed himself so fully into Andy Kaufman for Man on the Moon that they literally managed in creating a full-length documentary out of B-roll of him making life as impossible as he could for everyone around him.
The Modern Method Practitioners
The main Method Guy at the moment would appear to be Jeremy Strong (formerly Day-Lewis’s assistant), whose process during Succession was so laboriously intensive that it became the basis of a critical magazine feature, including statements from individuals who were worried about his conduct (“The toll on himself concerns me,” remarked co-star Brian Cox) or annoyed beyond all measure by his actions (“I remember [him] making everyone else to react with exasperation,” stated an unnamed co-star).
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We have so many other examples. Andrew Garfield abstained from sex over half a year for Silence. Leonardo DiCaprio slept in an animal carcass during The Revenant. There’s a fighting chance that actor Austin Butler continues to talk like Elvis Presley, years following that film came out. Each of these instances, to some extent, is meant to invoke the dedication in which Day-Lewis takes his craft.
A Noble Yet Challenging Fight
And, although his rebuttal to critics of the Method might be noble, a short publicity tour might not be enough to change anyone’s mind, let alone their behaviour. Maybe if he wishes to remind people what method acting is, or to demonstrate its potential results, then Day-Lewis’s best bet is to just start making additional movies. Certainly we could all support that idea.